STUDIO SYNC MUSIC SHELF INSTRUCTIONS LICENSESo, when considering licensing your music to someone else, what should you consider?Ī license can be broken down into 6 essential points, all of which are technically negotiable: The vast, vast majority of licenses (sometimes called “placements” or simply “syncs”) are limited and are “non-exclusive.” That means you can license the same song to a different thing, often simultaneously. So… What is a license, exactly?Ī license is a limited granting of certain rights for someone else to use something you own-in this case, a song. Even if you own both, they need to license them both separately, and pay you for the rights to each. STUDIO SYNC MUSIC SHELF INSTRUCTIONS TVIf a TV show wants to put your song in an episode, they need to license BOTH the composition and the master. the “sound recording” or master, which is the part you can sign away to a record label. The recording of that composition, i.e.the composition, which is the part you can sign away to a publisher. The lyrics & melody that make up the song, i.e.To start, you need to know what you control.Įvery time you write a song and record it, two copyrights are born: This is really about fitting a square peg in a round hole: editing your pre-existing, recorded music to picture. In this piece, I’m specifically focusing on licensing your music, so that means we’re going to leave composing, works-for-hire, and the nitty gritty of publishing and copyright for another day. (And at the very least, a pretty nice li’l bonus.)įirst things first: How do I know if I can license my music for syncs? Exactly “how much” you can make with sync licensing is a moving target, based on factors we’ll get into-just know that effectively licensing your music for syncs can be a career in and of itself. If you make good music (or control the rights to other folks’ good music), and want more people to hear it, read on. In this guide, we’re going to talk about how that’s done, how you can get in on the action, and what to expect along the way. So if you’re a musician, you should know that wherever you hear music paired with a moving picture, there is money to be made in the form of sync licensing. These days, there are more authentic, diverse stories being told than ever before-and all authentic storytelling requires great music. Even ads have come to resemble short films, sketch comedy, or micro-blockbusters in order to keep antsy viewers from clicking “Skip Ad” at the first sensation of boredom. In 2019, we’ve been in not just the “Golden Age of Television” for over a decade, but really the Golden Age of Media: there’s more quality television, film, and video games being released now than ever before. On a daily basis, we place music in everything from student films to blockbuster superhero movies, and do our best to be good stewards for the music with which we’re entrusted. I’m Josh Briggs, General Manager for Terrorbird Media, where we represent over a dozen record labels and hundreds of independent artists for sync licensing, in addition to looking after the worldwide publishing rights for more than one hundred fifty songwriters. STUDIO SYNC MUSIC SHELF INSTRUCTIONS HOW TOHow to get your music licensed for films, TV, and beyond
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